Philip Hartmann’s From the 84 Days is a film that is haunted by COVID-19, but which trusts the power of collective creative processes as an aid for coping with the harshness of reality. Musical improvisation by a group of Bolivian Indigenous experimental musicians locked in Germany shifts into a meditation on displacement. Viera Čákanyová’s White on White is also built for a meditative state. Shot at the Polish Antarctic Station, it is a personal reflection on intimacy and isolation, and the codes that are inherent to various forms of communication. This is a film that explores what subjectivity can mean.
White on White screens as part of our International Competition strand in the 2021 Sheffield DocFest programme.
At Sheffield DocFest we celebrate and debate documentary film & art as a collective form of engagement. Join the 28th edition of Sheffield DocFest, in Sheffield & online 4–13 June 2021.
Visit our website:
sheffdocfest.com
Join the conversation:
@sheffdocfest on Twitter
@sheffdocfest on Instagram
/sheffdocfest on Facebook
#SheffDocFest2021
White on White screens as part of our International Competition strand in the 2021 Sheffield DocFest programme.
At Sheffield DocFest we celebrate and debate documentary film & art as a collective form of engagement. Join the 28th edition of Sheffield DocFest, in Sheffield & online 4–13 June 2021.
Visit our website:
sheffdocfest.com
Join the conversation:
@sheffdocfest on Twitter
@sheffdocfest on Instagram
/sheffdocfest on Facebook
#SheffDocFest2021
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